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Make sure the pillow is centered in the microwave oven and does not touch the walls, allowing the turntable to rotate freely. Fold and rearrange larger pillows to fit them in smaller microwaves.

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Begin heating the pillow with the lowest wattage setting of your microwave oven and increase in small increments. Take the pillow out of the oven after 30 seconds, shake the content, and check the temperature. Repeat these steps until the pillow is hot to the touch, but be careful not to overheat. Do not warm the pillow in an oven with an open flame. Use extra caution when using a conventional oven for heating the cherry pit pillow.

Preheat the conventional oven to degrees Fahrenheit degree Celsius and place the pillow on a heat resistant glass or porcelain dish. NEVER should the pillow be left in an oven while the oven is still turned on. Place the cherry pit pillow in the freezer for 15 minutes or until the desired temperature is reached.

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Withdrawal form. My Account. Regular price 6. Description A nice gift for any good friend - even if she uses a different monthly hygiene. Instructions Heating the Pillow in the Microwave Make sure the pillow is centered in the microwave oven and does not touch the walls, allowing the turntable to rotate freely. Heating the Pillow in a Conventional Oven Do not warm the pillow in an oven with an open flame.

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Cooling the Cherry Pit Pillow Place the cherry pit pillow in the freezer for 15 minutes or until the desired temperature is reached. Be careful not to overheat the pillow! It can get hot enough to burn you or even start a fire! Do not leave the oven unattended during heating. Never allow a child to warm the cherry stone compress without adult supervision, and never leave the product unattended within easy reach of children. Before heating, do not spray any flammable liquids on the compress, including oils, perfumes and other liquids that can cause ignition.

Poe provides no explanation of why he is there or of the charges on which he is being tried. Before him are seven tall white candles on a table, and, as they burn down, his hopes of survival also diminish.

Poe, Edgar Allan.

He is condemned to death, whereupon he faints and later awakens to find himself in a totally dark room. At first the prisoner thinks that he is locked in a tomb, but then he discovers that he is in a cell. He decides to explore the cell by placing a scrap of his robe against the wall so that he can count the paces around the room, but he faints before he can measure the whole perimeter.


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When he reawakens, he discovers food and water nearby. He tries to measure the cell again, and finds that the perimeter measures one hundred steps.

While crossing the room, he trips on the hem of his robe and falls, his chin landing at the edge of a deep pit. He realizes that had he not tripped, he would have fallen into this pit.

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After losing consciousness again, the narrator discovers that the prison is slightly illuminated and that he is strapped to a wooden frame on his back, facing the ceiling. Above him is a picture of Father Time , with a razor-sharp pendulum measuring "one foot from horn to horn" suspended from it. The pendulum is swinging back and forth and slowly descending, designed to kill the narrator eventually.

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However, he is able to attract rats to him by smearing his bonds with the meat left for him to eat. The rats chew through the straps, and he slips free just before the pendulum can begin to slice into his chest. The pendulum is withdrawn into the ceiling, and the walls become red-hot and start to move inwards, forcing him slowly toward the center of the room and the pit.

As he loses his last foothold and begins to topple in, he hears a roar of voices and trumpets, the walls retract, and an arm pulls him to safety.

The French Army has captured the city of Toledo and the Inquisition has fallen into its enemies' hands. Poe makes no attempt to describe accurately the operations of the Spanish Inquisition, and takes considerable dramatic license with the broader history premised in this story. The rescuers are led by Napoleon's General Lasalle who was not, however, in command of the French occupation of Toledo and this places the action during the Peninsular War —14 , centuries after the height of the Spanish Inquisition. The elaborate tortures of this story have no historic parallels in the activity of the Spanish Inquisition in any century, let alone the nineteenth when under Charles III and Charles IV only four persons were condemned.

The Inquisition was, however, abolished during the period of French intervention — The original source of the pendulum torture method is one paragraph in the preface of the book The history of the Inquisition of Spain by the Spanish priest, historian, and activist, Juan Antonio Llorente. Most modern sources dismiss this as fantasy. Poe places a Latin epigraph before the story, describing it as "a quatrain composed for the gates of a market to be erected upon the site of the Jacobin Club House at Paris ". The epigraph was not Poe's invention; such an inscription had been reported, no later than , as having been composed with the intention possibly facetious of having it placed on the site, [5] and it had appeared, without attribution, as an item of trivia in the Southern Literary Messenger , a periodical to which Poe contributed.

Charles Baudelaire , a French poet who translated Poe's works into French and who viewed Poe as an inspiration, said that the building on the site of the Old Jacobin Club had no gates and, therefore, no inscription. Poe emphasizes this element of sound with such words as "surcingle," "cessation," "crescent," and "scimitar", and various forms of literary consonance. Poe was following an established model of terror writing of his day, often seen in Blackwood's Magazine a formula he mocks in " A Predicament ".

Those stories, however, often focused on chance occurrences or personal vengeance as a source of terror. Poe may have been inspired to focus on the purposeful impersonal torture in part by Juan Antonio Llorente 's History of the Spanish Inquisition , first published in Poe was familiar with Sale, and even mentioned him by name in a note in his story "The Thousand-and-Second Tale of Scheherazade". Sale's translation was a part of commentary and, in one of those notes, refers to an allegedly common form of torture and execution by "throwing [people] into a glowing pit of fire, whence he had the opprobrious appellation of the Lord of the Pit.

It was slightly revised for a republication in the May 17, issue of the Broadway Journal. William Butler Yeats was generally critical of Poe, calling him "vulgar. Analyse the Pit and the Pendulum and you find an appeal to the nerves by tawdry physical affrightments. From Wikipedia, the free encyclopedia.